In this video, I explore Fiedler Audio's revolutionary new OBAM (Object Based Audio Module) standard — the first plugin format designed specifically for object-based audio that finally brings true mastering capabilities to Dolby Atmos production. I'll demonstrate how this technology works in practice using the updated Dolby Atmos Composer with OBAM-compatible plugins from Fiedler Audio and Toneboosters, showing why this could be the biggest leap forward in immersive audio production yet.

In this video, I count down my top 10 immersive audio effects plugins that will transform your Atmos and Spatial Audio mixes from flat to fully three-dimensional, showcasing tools that create genuinely convincing spatial effects with intuitive controls for professional workflows. From realistic room acoustics to revolutionary spatial workstations, I explore how these cutting-edge processors give you unprecedented control over dimension, movement, and space in your immersive productions, whether you're working in film, music, or game audio.

In this video, I review a premium binaural rendering plugin specifically designed for Neumann headphones that transforms 7.1.4 surround audio into an exceptional listening experience with customizable interaural time differences to match your head size. While the plugin carries a $100 price tag on top of the already expensive headphones, its outstanding sound quality, seamless head tracking integration, and two-week free trial make it worth considering for current Neumann owners, though those seeking more affordable solutions should explore alternatives I've previously covered on my channel.

In this video, I count down the 10 most interesting binaural panning plugins that will transform your headphone mixes from flat to immersive, covering options for every budget from completely free tools to professional-grade solutions. My selections create genuinely convincing 3D spatial effects over headphones using technologies like HRTF processing, psychoacoustic tricks, and motion sequencing, with each offering unique approaches to help you create more engaging and realistic audio experiences for your listeners.

In this video, I explore ARIA Studio by Altitude Audio, a revolutionary software that creates personalized audio profiles based on your hearing test results, compensating for specific hearing loss patterns to deliver a more balanced listening experience. What impressed me most was how accurately it corrects audio across both headphones and speakers, making it an invaluable tool for audio professionals with hearing loss while remaining accessible for anyone wanting to optimize their listening experience.

In this video, I'm counting down my top 10 underrated immersive audio plugins that deserve more recognition, from format-agnostic mixers and intuitive mobile panners to specialized Atmos compression and free hidden gems. These are the spatial audio tools that have genuinely improved my workflow and creative possibilities over years of production work, offering incredible capabilities despite flying under the radar of mainstream attention.

In this video, I show you how to solve one of the most frustrating problems in immersive audio production: multi-channel plugins that don't work properly with your DAW. Learn how to use Kushview Element as a wrapper plugin to fix channel recognition issues and properly route audio for Dolby Atmos and other 3D audio formats.

In this video, I explore APL's new Virtuoso Lite, a more affordable version of my favorite binaural renderer for immersive audio production, comparing its features side-by-side with the full version of Virtuoso. While both plugins share the same high-quality algorithms and core functionality, I'll walk you through the key differences to help you determine which version might be the right fit for your immersive audio toolbox, especially if you're working with Dolby Atmos.

In this video, I take a hands-on look at the new Waves Immersive Wrapper plugin, which transforms Waves mono plugins into multi-channel tools for immersive audio production with flexible grouping, powerful sidechaining, and seamless integration between bed tracks and objects in Dolby Atmos. I'll demonstrate its innovative features and user-friendly interface by creating a practical workflow example in Reaper, showing how it can be integrated into both professional and hobbyist immersive audio production environments.

In this video, I demonstrate how to use INU (Immersive Nulling Up-mixer), a powerful and affordable plugin that converts stereo tracks into multichannel mixes for Dolby Atmos while preserving the original stereo fold-down. I'll walk you through the complete setup process in Reaper and show you how to use INU's features to manipulate direct and diffuse signals, control LFE and center channels, and adjust height and spatial positioning in your mix.

In this video, I demonstrate how to set up and use Headitude, a free macOS application that captures head tracking data from Apple AirPods and guides you through integration with both Dolby Atmos Renderer and Cubase/Nuendo. I explain the unique features of Headitude, including its position maintenance and flexible OSC message formatting, while showing how Windows users can benefit from this setup by using an Apple Silicon Mac as an audio interface.

In this review, I examine Stemcell 2, a multi-channel stem processor from The Cargo Cult that offers unique spectral ducking capabilities but suffers from significant limitations in Reaper due to its automatic channel layout detection inherited from its Pro Tools origins. While the plugin shines in DAWs like Studio One and could be valuable for film and TV audio work, its high price point and compatibility issues make it worth testing thoroughly before purchase, with Reaper users potentially better served by alternatives from Waves or PSP AudioWare.

In this video, I explore Sony's revolutionary 360 Virtual Mixing Environment (360 VME), a system that creates a personalized virtual studio experience through headphones by precisely matching your individual ear and head geometry, taking you through the sophisticated measurement process, software setup, and real-world applications, particularly in educational settings.

In this video, I review and rank my top 4 immersive panning plugins, breaking down their features, strengths, and limitations based on my personal experience. I also discuss an honorary mention and conclude with thoughts on the current state of immersive panning technology, inviting viewers to share their own opinions and experiences.

In this video, I review Move It by HAL, a new panning plugin for immersive and spatial audio production that offers more than just panning capabilities. While it has some innovative features, I discuss its usability issues, pricing concerns, and compatibility challenges with certain DAWs.

In this video, I dive into the exciting new features of Virtuoso 2, the latest update to APL's popular binaural rendering plugin. From new HRTFs and enhanced head tracking to a customizable EQ and the ability to play Dolby Atmos master files in the standalone version, I'll guide you through the key improvements and discuss their potential impact on your audio workflow.

In this video, I dive into AB Chorus, Audio Brewers' latest immersive chorus plugin, exploring its capabilities across various audio formats and its creative potential in immersive audio production. I'll break down who this powerful but complex tool is perfect for and who might want to look elsewhere, helping you decide if it's the right investment for your audio toolkit.

In this video, we review ToneBoosters' Equalizer Pro plugin and utilize its unique 64-channel processing capability for generalized mid-side processing in immersive audio production.

In this video, I review Sound Particles' InDelay plugin, showcasing its innovative features for both stereo and immersive audio production, while also discussing its strengths and potential areas for improvement.

In this video, we explore AudioMovers' Omnibus 3 and its integration with Dolby Atmos and binaural rendering, revealing why this powerful tool might be overkill for many users' audio workflows.