Dolby quietly added Apple AirPods head tracking support to the Atmos Renderer, burying this game-changing feature in a support article without any proper announcement—and it works with virtually any Apple or Beats headphones containing the H1 or H2 chip. In this video, I'll show you how to set it up, demonstrate its impressive spatial monitoring capabilities in a real mixing session, and even reveal how to use your AirPods as a head tracker for your professional studio headphones.

I'm breaking down four game-changing developments in immersive audio that have been happening behind the scenes: NovoNotes' new format support for 9.1.6 and 7.1.6 configurations, Audio Brewers' revolutionary beamforming decoder, Eclipsa Audio's open-source spatial audio plugins that finally make 3D sound accessible to everyone, and Apple's Spatial Audio Format that transforms static mixes into responsive sound environments. Each of these deserves its own deep dive tutorial which I'll be releasing over the coming weeks, plus there's another massive announcement on the horizon that could revolutionize immersive music production—but I'll have to save that for another day.

In this video, I'm kicking off a new FAQ series by answering the 10 essential questions about Ambisonics—the full-sphere surround sound technology that's become the backbone of VR, AR, and 360-degree video. From understanding the B-format and the difference between AmbiX and FuMa standards, to practical guidance on getting started with Ambisonics in your DAW and monitoring your mixes, this comprehensive guide covers everything you need to know about this increasingly important immersive audio format.

In this video, I dive into some of the most fascinating (and frustrating) Dolby Atmos takes I've found on Reddit, tackling everything from claims that it's just a marketing gimmick to confusion about 8D music and whether you need 16 subwoofers to create an earthquake simulator. I separate fact from fiction in the world of spatial audio, explaining why immersive audio is here to stay while addressing the legitimate criticisms and misconceptions that dominate online discussions about Atmos and surround sound.

After covering the 10 most important immersive audio formats, I realized there are so many more wild and surprising stories from spatial audio's history that deserve to be told – from World War I giant mechanical ears and Disney's 1940s surround sound revolution to Pink Floyd's holophonic experiments and Lou Reed's 3D rock albums. What fascinates me most is how these pioneers were solving the same immersive audio challenges we face today, proving that humanity's obsession with realistic 3D sound has been driving innovation for over a century.

In this Q&A video, I address the most common questions from my Neumann RIME plugin review, covering everything from DAW integration and head tracking compatibility to why the plugin is specifically designed as a binaural renderer for Neumann headphones rather than a general-purpose solution. I'm also excited to share that Neumann reached out directly after my review, including a call from their CEO, which really demonstrates their commitment to engaging with the audio community.

In this video, I'm counting down the 10 most influential immersive audio formats that have transformed how we experience sound in three dimensions, based on my personal experience in spatial audio production. From pioneering 1970s surround sound to today's cutting-edge object-based standards, I'll break down the technical innovations, practical applications for producers, and accessibility of each format that has shaped the immersive audio landscape.

In this follow-up video, I dive into viewer comments from my Nomono Sound Capsule review, addressing concerns about this $2,500 spatial audio podcast recording device that converts recordings to Dolby Atmos through cloud processing. While the technology is genuinely impressive—especially how it reconstructs speaker positions from audio alone—the device struggles to find its target market, sitting uncomfortably between average podcasters (too expensive) and professional users (not quite high-end enough).

When SSL released their new immersive metering plugin, I realized it was the perfect opportunity to create something more valuable: a comprehensive countdown of the top 10 metering tools for spatial audio mixing, from basic surround to full Dolby Atmos productions. This completely subjective ranking covers everything from free open-source solutions to industry-standard references, focusing on the tools that provide the best visual feedback for making informed decisions in immersive audio.

In this episode, I sat down with Tom Ammermann, founder of New Audio Technology and two-time Grammy-nominated immersive audio engineer, to explore his journey from early surround mixing to developing the Spatial Audio Designer plugin suite used on projects like Kraftwerk's Grammy-nominated album. Tom shared invaluable insights on getting started with immersive audio, explaining how his tools enable seamless workflow from laptop creation to full dome installations, and why he believes mixing in 3D formats can actually be faster and more emotional than traditional stereo production.

In this video, I explore Fiedler Audio's revolutionary new OBAM (Object Based Audio Module) standard — the first plugin format designed specifically for object-based audio that finally brings true mastering capabilities to Dolby Atmos production. I'll demonstrate how this technology works in practice using the updated Dolby Atmos Composer with OBAM-compatible plugins from Fiedler Audio and Toneboosters, showing why this could be the biggest leap forward in immersive audio production yet.

In this video, I count down my top 10 immersive audio effects plugins that will transform your Atmos and Spatial Audio mixes from flat to fully three-dimensional, showcasing tools that create genuinely convincing spatial effects with intuitive controls for professional workflows. From realistic room acoustics to revolutionary spatial workstations, I explore how these cutting-edge processors give you unprecedented control over dimension, movement, and space in your immersive productions, whether you're working in film, music, or game audio.

In this review, I examine the Nomono Sound Capsule, a portable spatial audio recording solution that combines a 360-degree ambisonics microphone with wireless lavalier microphones, offering podcasters and content creators an accessible way to record immersive Dolby Atmos audio. While testing the device with my PhD student Nicolas Losada, we found it excels in ease of use and spatial positioning accuracy, despite some limitations in monitoring capability and music recording quality, making it an attractive option for creators looking to enhance their productions with spatial audio without specialized technical knowledge.

In this video, I review a premium binaural rendering plugin specifically designed for Neumann headphones that transforms 7.1.4 surround audio into an exceptional listening experience with customizable interaural time differences to match your head size. While the plugin carries a $100 price tag on top of the already expensive headphones, its outstanding sound quality, seamless head tracking integration, and two-week free trial make it worth considering for current Neumann owners, though those seeking more affordable solutions should explore alternatives I've previously covered on my channel.

In this video, I count down the 10 most interesting binaural panning plugins that will transform your headphone mixes from flat to immersive, covering options for every budget from completely free tools to professional-grade solutions. My selections create genuinely convincing 3D spatial effects over headphones using technologies like HRTF processing, psychoacoustic tricks, and motion sequencing, with each offering unique approaches to help you create more engaging and realistic audio experiences for your listeners.

In this video, I'm counting down my top 10 underrated immersive audio plugins that deserve more recognition, from format-agnostic mixers and intuitive mobile panners to specialized Atmos compression and free hidden gems. These are the spatial audio tools that have genuinely improved my workflow and creative possibilities over years of production work, offering incredible capabilities despite flying under the radar of mainstream attention.

In this video, I show you how to solve one of the most frustrating problems in immersive audio production: multi-channel plugins that don't work properly with your DAW. Learn how to use Kushview Element as a wrapper plugin to fix channel recognition issues and properly route audio for Dolby Atmos and other 3D audio formats.

In this video, I share 10 essential Dolby Atmos mixing tips curated from top industry professionals, complemented by my own commentary and insights to help you create better immersive mixes. From establishing proper spatial foundations to avoiding common pitfalls, these carefully selected techniques will help you create more natural-sounding Atmos mixes that effectively translate across different playback environments.

In this video, I explore APL's new Virtuoso Lite, a more affordable version of my favorite binaural renderer for immersive audio production, comparing its features side-by-side with the full version of Virtuoso. While both plugins share the same high-quality algorithms and core functionality, I'll walk you through the key differences to help you determine which version might be the right fit for your immersive audio toolbox, especially if you're working with Dolby Atmos.

In this video, I take a hands-on look at the new Waves Immersive Wrapper plugin, which transforms Waves mono plugins into multi-channel tools for immersive audio production with flexible grouping, powerful sidechaining, and seamless integration between bed tracks and objects in Dolby Atmos. I'll demonstrate its innovative features and user-friendly interface by creating a practical workflow example in Reaper, showing how it can be integrated into both professional and hobbyist immersive audio production environments.