In this video, I review Move It by HAL, a new panning plugin for immersive and spatial audio production that offers more than just panning capabilities. While it has some innovative features, I discuss its usability issues, pricing concerns, and compatibility challenges with certain DAWs.

In this video, I dive into the exciting new features of Virtuoso 2, the latest update to APL's popular binaural rendering plugin. From new HRTFs and enhanced head tracking to a customizable EQ and the ability to play Dolby Atmos master files in the standalone version, I'll guide you through the key improvements and discuss their potential impact on your audio workflow.

In this video, I dive into AB Chorus, Audio Brewers' latest immersive chorus plugin, exploring its capabilities across various audio formats and its creative potential in immersive audio production. I'll break down who this powerful but complex tool is perfect for and who might want to look elsewhere, helping you decide if it's the right investment for your audio toolkit.

In this video, I introduce GameAudioGPT, a custom AI tool I've created to help answer your questions about my Unity and Wwise game audio tutorial series from three years ago. I demonstrate how this free tool works by testing it with real user questions, showing how it can provide quick, detailed responses on topics covered in the original series and even beyond, making it easier for you to get the help you need without me having to rewatch entire videos.

In this video, I explore how artificial intelligence is reshaping education and creative industries, presenting a strategic framework for educators to adapt to this rapidly evolving landscape. I discuss three key principles—emphasizing critical skills, adopting process-centric pedagogy, and implementing agile institutional structures—designed to prepare students for a future where AI is an integral part of the creative process.

In this video, we review ToneBoosters' Equalizer Pro plugin and utilize its unique 64-channel processing capability for generalized mid-side processing in immersive audio production.

"Changing Perspectives" is a progressive trance track produced with the assistance of the generative AI system Udio.com. This one needed a bit of help with additional samples towards the end.

In this video I discuss the surprising truth about why your Dolby Atmos home setup, regardless of cost, can't match the Atmos studio experience due to little-known technical limitations in the delivery format.

In this video, I demonstrate how to use Sound Particles Space Controller with a smartphone to pan Dolby Atmos objects in Pro Tools, offering a unique and intuitive method for three-dimensional audio positioning despite some workflow limitations.

In this reaction video, I analyze Colt Capperrune's video about his first Dolby Atmos mix, discussing key aspects of Atmos production, the importance of headphone optimization, and the challenges of creating immersive audio experiences for both studio and consumer environments.

In this video, I review Sound Particles' InDelay plugin, showcasing its innovative features for both stereo and immersive audio production, while also discussing its strengths and potential areas for improvement.

This video provides a comprehensive guide on using the external Dolby Atmos renderer with Pro Tools, covering two different methods of implementation, setup processes, exporting, and working with re-renders.

"Water in the Basement" is a progressive house track with silly vocals produced with the assistance of the generative AI system Udio.com.

"Touching the Sky" is a progressive house track produced with the assistance of the generative AI system Udio.com.

This tutorial provides a comprehensive walkthrough on setting up and using the internal Dolby Atmos renderer in Pro Tools, covering everything from basic configuration to advanced features like track presets, live re-renders, and working with master files.

"Uaaah Uuh Oooh" is an AI-assisted electronic dance remix that transforms the original "Movement #1" into a unique "alien vocal trance" experience.

In this video, I analyze recent YouTube commentaries on the RIAA's copyright infringement lawsuit against AI music generation services, arguing that the lawsuit's true significance lies in establishing legal precedents for AI-generated content rather than signaling the end of AI in music, while also exploring the technical issues and broader implications for copyright law and the music industry.

"Something Simple '24, Hallucination #3" is an electronic dance track produced with the help of the AI system Udio.com. This is the third in a series where I'll use different clips from my first track "Something Simple" as prompts for AI-assisted remixes, i.e. hallucinations.

This is the second track in a series where I'll use different clips from my track "Something Simple" as prompts for AI-assisted remixes, i.e. hallucinations.

In this video, we explore AudioMovers' Omnibus 3 and its integration with Dolby Atmos and binaural rendering, revealing why this powerful tool might be overkill for many users' audio workflows.