Electronic dance track with hallucinated vocals.

In this video I explore Harrison Mixbus 10's post-fader inserts and its groundbreaking Dolby Atmos implementation on Linux.

"Patterns of Time" is an electronic downtempo track produced with the assistance of the generative AI system Udio.com.

This video demonstrates an advanced routing setup for using Dolby Atmos in Harrison Mixbus 10 within a stereo mixing environment, utilizing Ginger Audio's GroundControl Sphere and Apple Spatial Audio Monitoring with AirPods to seamlessly switch between immersive 7.1.4, binaural, and stereo outputs.

In this episode, Thomas Fiedler, creator of the Dolby Atmos Composer, joins hosts Sam Hocking and me to discuss the history, development, and impact of his groundbreaking tool that has made Dolby Atmos mixing accessible to producers worldwide.

"Around the World" is an electronic dance track with a middle eastern/latin fusion theme.

"Elevation Rhapsody" is a progressive trance track that was produced with the assistance of the generative AI system Udio.com.

Harrison Mixbus 10's straightforward implementation of Dolby Atmos allows users to easily convert their stereo projects into immersive audio mixes, making it an attractive option for those looking to create Dolby Atmos content without the complexity found in other digital audio workstations.

"Painting the World" is an electro pop track that was produced with the assistance of the generative AI system Udio.com.

“Piano in the Rain” is an experimental EDM Chillout track created with Udio.com that came with some very unique challenges.

In this Q&A video, I tackle a range of viewer questions about spatial audio, binaural rendering, room correction, and the challenges of creating personalized HRTFs.

"Epic Horizons" is an uplifting progressive trance track that was produced with the assistance of the generative AI system Udio.com.

"We Come Alive" is an uplifting progressive trance track that was produced with the assistance of the generative AI system Udio.com. The track contains what the late Bob Ross would have considered a "happy accident".

In this video, I explore the latest developments in using Apple Spatial Binaural Rendering for Dolby Atmos production workflows, demonstrating how to set up immersive 3D audio experiences in Studio One and Ableton Live using native support and the updated Audiomover's Binaural Rendering plugin.

In this video, I share my experience with the MiniDSP Flex, a digital signal processor that has significantly improved the quality of my studio setup by providing effective room correction and enhanced stereo imaging, making it a highly recommended solution for those looking to optimize their monitoring environment.

In this video, I review the Zylia ZM-1, a third-order Ambisonics microphone with 19 capsules, discussing its technical specifications, build quality, software, and sound quality, while demonstrating its setup and flexibility in various audio production scenarios.

Bonus video: this is a shortened version of our most recent podcast episode.

In this episode, Sam and I explore the world of AI-generated music using Suno, discussing its implications for the industry and experimenting with creating songs for various purposes, including a theme for the podcast.

In this video, I explore the 360 WalkMix Creator, the core of Sony's 360 Reality Audio format, demonstrating its ease of use and impressive capabilities within Ableton Live 12, while also discussing the concerning accessibility issues and the need for Sony to reevaluate their approach to make the technology more widely available to producers and students.

In this comprehensive review, I explore the Voyage Audio Spatial Mic, a versatile second-order Ambisonics microphone with 8 capsules, demonstrating its ability to function as a mono, stereo, or surround sound microphone, and showcasing its impressive performance in various sound tests and applications, making it an excellent choice for anyone interested in spatial audio.