In this video, I explore Sony's revolutionary 360 Virtual Mixing Environment (360 VME), a system that creates a personalized virtual studio experience through headphones by precisely matching your individual ear and head geometry, taking you through the sophisticated measurement process, software setup, and real-world applications, particularly in educational settings.

In this video, I review and rank my top 4 immersive panning plugins, breaking down their features, strengths, and limitations based on my personal experience. I also discuss an honorary mention and conclude with thoughts on the current state of immersive panning technology, inviting viewers to share their own opinions and experiences.

In this video, I address comments and clarify misconceptions about my recent Dolby Atmos videos, emphasizing that while professional Atmos setups are expensive, hobbyists and semi-professionals shouldn't be discouraged from entering the Atmos production space. I explain that most consumers can't fully experience high-end Atmos productions due to limitations in their playback systems, so bedroom producers can start with more accessible setups and still create competitive Atmos mixes.

In this video, I review Move It by HAL, a new panning plugin for immersive and spatial audio production that offers more than just panning capabilities. While it has some innovative features, I discuss its usability issues, pricing concerns, and compatibility challenges with certain DAWs.

In this video, I dive into the exciting new features of Virtuoso 2, the latest update to APL's popular binaural rendering plugin. From new HRTFs and enhanced head tracking to a customizable EQ and the ability to play Dolby Atmos master files in the standalone version, I'll guide you through the key improvements and discuss their potential impact on your audio workflow.

In this video, we review ToneBoosters' Equalizer Pro plugin and utilize its unique 64-channel processing capability for generalized mid-side processing in immersive audio production.

In this video I discuss the surprising truth about why your Dolby Atmos home setup, regardless of cost, can't match the Atmos studio experience due to little-known technical limitations in the delivery format.

In this video, I demonstrate how to use Sound Particles Space Controller with a smartphone to pan Dolby Atmos objects in Pro Tools, offering a unique and intuitive method for three-dimensional audio positioning despite some workflow limitations.

In this reaction video, I analyze Colt Capperrune's video about his first Dolby Atmos mix, discussing key aspects of Atmos production, the importance of headphone optimization, and the challenges of creating immersive audio experiences for both studio and consumer environments.

In this video, I review Sound Particles' InDelay plugin, showcasing its innovative features for both stereo and immersive audio production, while also discussing its strengths and potential areas for improvement.

This video provides a comprehensive guide on using the external Dolby Atmos renderer with Pro Tools, covering two different methods of implementation, setup processes, exporting, and working with re-renders.

This tutorial provides a comprehensive walkthrough on setting up and using the internal Dolby Atmos renderer in Pro Tools, covering everything from basic configuration to advanced features like track presets, live re-renders, and working with master files.

In this video, we explore AudioMovers' Omnibus 3 and its integration with Dolby Atmos and binaural rendering, revealing why this powerful tool might be overkill for many users' audio workflows.

In this video, we compare and rank 20 popular Digital Audio Workstations based on their Dolby Atmos capabilities, providing insights for both professionals and hobbyists looking to dive into spatial audio production.

In this video, we explore the Fiedler Audio Mastering Console for Dolby Atmos, a standalone tool that allows users to easily remaster Dolby Atmos master files using the Gravitas dynamics processing module for tasks such as adding sidechain compression without the need for a digital audio workstation.

In this video, we explore the features and quirks of Lumina Delay, an affordable and intuitive multi-tap delay plugin from Mountain Road DSP that can handle immersive audio formats up to 7.1.4.

In this video, we explore the integration of Fiedler Audio's SpaceLab and Gravitas plugins with our Dolby Atmos Maschine setup, creating immersive reverbs and dynamic sidechaining effects that showcase the endless creative possibilities of this powerful combination.

In this video, we explore the surprisingly easy and cost-effective process of producing Dolby Atmos within the Native Instruments Maschine ecosystem using the Fiedler Audio Dolby Atmos Composer plugin.

In this video, I demonstrate how Fiedler Audio's Gravitas plugin can be used to sidechain a 16-channel third-order ambisonics track with another 16-channel third-order ambisonics track, showcasing its unique capabilities and versatility in creative audio processing.

In this video I explore Fiedler Audio's new plugin, Gravitas, showcasing its unique approach to dynamics processing, particularly for multichannel audio and Dolby Atmos.